ashleysarticles.com ashleysarticles.com
Home About Us Privacy Terms of Service Place Your Link Submit Article
Search:   
Add Url
 

Vehicles & Automotive

Relationship & Lifestyle

Adventure & Sports

Creative Arts

Issues & News

Research & Science

Malls & Shopping

Academics & Education

Investment & Finance

Self Management

Business & Services

Children & Teens

Food & Recipe

Estate & Realty

People & Communities

Recreation

Careers & Employment

Travel & Accommodation

Fitness & Health

Medical Care

Law & Politics

Online & Indoor Games

Home Family & Garden

Computers & Networking


 

Home » Issues & News » Arts & Humanities
 

The Romantic Spirit of the Harlem Renaissance: Jean Toomer

 
Author: Mary Arnold

In his only novel on African Americans, Jean Toomer also found beauty in the "vernacular culture" among the people in Sparta, Georgia, where Toomer spent two months working as an interim principal at the Sparta Agricultural and Industrial Institute in 1921 (Byrd 733). Nathan Pinchback Toomer (18941967) changed his name to Jean after his move to Greenwich Village and reading Romain Rolland's Jean Christophe (1904), in an effort to "solidify his emerging identity as a writer" (Byrd 733).

Toomers experimental novel, Cane (1923), is described as "a record of his discovery of his southern heritage, an homage to a folk culture that he believed was evanescent, and an exploration of the forces that he believed were the foundation for the spiritual fragmentation of his generation" (Byrd 733). Although Toomer continued writing after the publication of Cane until the time of his death, he did not have any other works of fiction published during his lifetime (Byrd 733).

After coming under the influence Georgei I. Gurdjieff, a Russian mystic and psychologist, Toomer never returned to depicting African American life (Byrd 733). This change in subject matter could be attributed to Toomers efforts to "transcend" the "narrow divisions of race" (Byrd 734). Due to his desire for transcendence of racial boundaries, Toomer's later writings do not employ any racial themes; also this desire led Toomer to disassociate himself from Cane, the "work that has earned him a central place in the African American literary tradition" (Byrd 734).

Despite Toomer's later rejection of racial themes, many of the Harlem writers were considerably influenced by Cane, such as Langston Hughes and Zora Neale Hurston. Hurston, the most prolific black woman writer in her lifetime, is the most extraordinary, intriguing, but ultimately tragic, participant in the Harlem Renaissance.

Bibliography

Byrd, Rudolph P. "Jean Toomer." The Oxford Companion to African American Literature. Eds. William L. Andrews, Frances Smith Foster, and Trudier Harris. Oxford: Oxford University Press, 1997. 733-734.

Author Bio:
Mary Arnold is an expert on this subject. Mary has written several articles in the past on this topic.
You can search for this article using: art & humanities news, arts & humanities, humanities social sciences, society news, art news
 
 
 

Related Articles

 
Mass Transportation Efficiencies and Price Per Rider Theories
 
Jewish New Year Dinner Ideas
 
Surviving Eternity
 
Rental Companies Have Record Year
 
Media and the Iraq War, Some Random Thoughts Indeed 2001
 
Communication at the Deepest Level
 
The Exciting History of Judo
 
Psalm 83 - When The New Testament and the Teachings of Jesus Just Won't Do
 
Failure to Supervise at the Federal Trade Commission
 
You Haven't Got the Sense God Gave a Goose ? Or Have You?
 
 
 
Home >> Privacy >> Terms of Service
Copyright © 2008 www.ashleysarticles.com